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Festivus

Happy Festivus!

Today is Festivus. What is it? Where did it come from? Per Wikipedia:

festivusFestivus (/ˈfɛstɪvəs/) is a secular holiday celebrated on December 23 as an alternative to the perceived pressures and commercialism of the Christmas season.

The non-commercial holiday’s celebration, as depicted on Seinfeld, occurs on December 23 and includes a Festivus dinner, an unadorned aluminum Festivus pole, practices such as the “airing of grievances” and “feats of strength”, and the labeling of easily explainable events as “Festivus miracles”. The episode refers to it as “a Festivus for the rest of us.”

It has been described both as a parody holiday festival and as a form of playful consumer resistance. Journalist Allen Salkin described it as “the perfect secular theme for an all-inclusive December gathering.”

In more recent years, the Festivus pole has been appropriated as a symbol of protest against local governments that place nativity scenes in public areas. In Florida, a variation made from Pabst Blue Ribbon cans sparked outrage because of its proximity to the baby Jesus. Poles wrapped in rainbow colors representing LGBTQ rights have been erected in Georgia, Oklahoma, and Washington State.

The “Real” Festivus

Festivus existed long before Seinfeld writer Dan O’Keefe was pressured into sharing it with the world. (More on that later.) His father, Daniel O’Keefe Sr., created it in 1966 as a secular celebration, unburdened by the religious zeal and consumerism of the holiday season. Throughout the 1970s and 1980s, Festivus was an annual tradition in the O’Keefe household.

Festivus had no set date. It could fall on any day of the year, though not usually on Christmas Day. Inspired by the protagonist of Samuel Beckett’s play Krapp’s Last Tape, who recorded himself once a year, O’Keefe Sr. used a tape recorder to capture the proceedings.

The family still has some Festivus audiotapes dating back to the 1970s, featuring participants speaking out about what was bothering them, in what could be termed a proto-Airing of the Grievances without the fancy name.

In 2013, Dan O’Keefe spoke on CNN about the real-life practice of Festivus. He revealed that the aluminum pole was a Seinfeldian invention; his father used a clock.

“The real symbol of the holiday was a clock that my dad put in a bag and nailed to the wall every year … I don’t know why, I don’t know what it means, he would never tell me. He would always say, ‘That’s not for you to know.'”

The following is an excerpt from a 2004 New York Times interview with Dan:

Festivus“It was entirely more peculiar than on the show,” the younger Mr. O’Keefe said from the set of the sitcom “Listen Up,” where he is now a writer. There was never a pole, but there were airings of grievances into a tape recorder and wrestling matches between Daniel and his two brothers, among other rites.

“There was a clock in a bag,” said Mr. O’Keefe, 36, adding that he does not know what it symbolized.

“Most of the Festivi had a theme,” he said. “One was, `Is there a light at the end of the tunnel?’ Another was, `Too easily made glad?’ ”

His father, a former editor at Reader’s Digest, said the first Festivus took place in February 1966, before any of his children were born, as a celebration of the anniversary of his first date with his wife, Deborah. The word “Festivus” just popped into his head, he said from his home in Chappaqua, N.Y.

For more information about the O’Keefe family Festivus, get a copy of The Real Festivus (2005) by Dan O’Keefe. He has managed to capture his family’s holiday in all its strangeness. Additionally, Festivus! The Book devotes an entire chapter to the O’Keefe brand of Festivus.

Festivus, Televised


How did Festivus make it into an episode of Seinfeld? According to a 2013 story in Mother Jones Magazine, it wasn’t Dan’s idea.

One day in 1997, one of O’Keefe’s brothers let it slip to a member of the Seinfeld staff that this family holiday existed, and the crew thought thought was funny enough to write into the series. “I didn’t pitch it. I fought against it,” O’Keefe says. “I thought it would be embarrassing and drag the show down, but…Jerry liked it.”

If Dan’s brothers hadn’t blabbed about it, the world would have one less holiday to celebrate. We’re against that.

Festivus, Costanza Edition

The Festivus most people know is the one depicted in the Seinfeld Season 9 episode “The Strike.” In it, Frank Costanza explains the incident that inspired him to invent Festivus.

FrankFestivus Costanza: Many Christmases ago, I went to buy a doll for my son. I reached for the last one they had, but so did another man. As I rained blows upon him, I realized there had to be another way!
Cosmo Kramer: What happened to the doll?
Frank Costanza: It was destroyed. But out of that a new holiday was born—a Festivus for the rest of us!
Cosmo Kramer: That must’ve been some kind of doll.
Frank Costanza: She was.

Frank revives the holiday, much to the chagrin of son George, still traumatized by childhood memories of having to fight his father and lose the Festivus Feats of Strength year after year. As Frank plays back a recording of one such humiliation for his friends to hear, George bolts for the door. (Like many holidays, Festivus can sometimes take a dark turn.)

If you’d like to celebrate but need a little guidance, check out these Festivus Rules. Or make up your own tradition following the one directive used for all Seinfeld episodes: No hugs, no learning. We think the O’Keefes would approve.

Happy Festivus!

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George Spelvin Day

George Spelvin DayToday is George Spelvin Day. Who is he, and why does he have his own day? He was “born” on November 15, 1886, and is still going strong. How is that possible?

George Spelvin began as a pseudonym used in theatrical playbills to hide the fact that a performer was “doubling“—playing two roles in a play or musical. Actors changed costumes and makeup, sometimes adding a second, disguised photo to the program, all to (hopefully) fool theatergoers. Listing a player’s name twice would ruin the effect.

Sometimes, a playwright or director added a fictitious actor and role to the cast list to trick audience members into thinking the character would appear. This misdirection could make a plot twist or other device harder to figure out, thus making it more effective and entertaining.

George Spelvin first appeared on a Broadway Playbill on November 15, 1886, opening night of Karl the Peddler, a play by Charles A. Gardiner. In 1906, Winchell Smith “cast” him in Brewster’s Millions. After the show’s success, Smith considered Spelvin a good luck charm and added him to many other shows.

Spelvin appeared in the credits of films such as D.W. Griffith’s Birth of a Nation (1915) and the Academy Award-winning From Here to Eternity (1953). He appeared on television and in soap operas, including The Guiding Light and Edge of Night. He called himself George Spelvinsky, Georges SpelvinetGiorgio Spelvino, or Gregor Spelvanovich for European roles.

Over time, the Spelvin family expanded. George Spelvin, Jr. shared billing with his “father” in the 1929 play Kibitzer. Georgette Spelvin debuted in the short-lived Broadway production of Love Girl (1922). The clan had a “black sheep” as well: Georgina Spelvin, used by porn actress Chele Welsh as her screen name in adult films such as The Devil in Miss Jones (1973) and mainstream fare like Police Academy (1984).

Although doubling has lost its stigma, pseudonyms remain popular. Actors’ Equity Association members wishing to work under a non-union contract may use alternate names to avoid fines and possible revocation of union membership. Performers who become unhappy while shooting a movie may try to substitute a false name in the credits to disassociate themselves from a potential box office bomb.

The Spelvin name has grown so well-known that it has become an in-joke for sophisticated audiences. (Alan Smithee, used by disgruntled directors, enjoys a similar status among moviegoers.) Spelvin’s British counterparts are Mr. F. AnneyMr. Bart, and Walter Plinge, who has his own holiday on December 2nd.

Have a happy George Spelvin Day!

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Wear Something Gaudy Day

While Festivus may be the most famous holiday invented by sitcom writers, there is a lesser-known day called Wear Something Gaudy Day that’s fun and doesn’t require the airing of grievances.

Airing from 1977 to 1984, Three’s Company was adapted from a British show called Man About the House. Initially, it was turned down by all three networks—yes, there were only three networks—for its racy premise of two women sharing an apartment with a young, clumsy heterosexual man who pretends to be gay so the landlord will allow the living arrangement. Eventually, ABC came around and gave the show the go-ahead.

The sitcom soon became a hit, with its mashup of broad comedy, inspired farce and great slapstick. Though we’re not sure on which episode the following occurs, we can say with confidence that the plot involves a misunderstanding. (They all do.)wear something gaudy dayThe main male character, Jack Tripper, has a friend named Larry Dallas who is a sleazy used-car salesman. Larry’s sartorial elegance is questionable at best: he’s known as a three-button guy, meaning he has to have at least three buttons open to showcase his fluffed up chest hair for the ladies.
wear something gaudy day
After taking a little too much ribbing about his tacky clothing, Larry declares that it is Wear Something Gaudy Day. And just like that, an unofficial holiday is born. Why do we celebrate it today? Why not? Fans of this show are in good company.

It didn’t set out to change the world, it just made us laugh and that is why we love it.
Lucille Ball

Happy Wear Something Gaudy Day. You know what to do!

Here are two non-sitcom-related holidays occurring today:
National Mulligan Day: learn how the “do-over” got its start
National Edge Day: celebrated by straight edge punks since 1999

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Invite an Alien to Live with You Day

Today is Invite an Alien to Live with You Day. Relax! We aren’t talking about the aliens that a certain reality star turned president has said are coming to murder us and steal our jobs — although, once we’re dead, they’d technically just be taking advantage of sudden employment opportunities.

invite an alien to live with you day

When “Ayy” met “Nanu nanu”

This type of illegal alien comes from the planet Ork. Robin Williams was born on July 21, 1951; he was introduced to us as Mork on February 28, 1978, when his spaceship crashed in Milwaukee, Wisconsin, and he wandered onto the set of Happy Days.

On September 20, 1977, the show aired an episode that would later inspire the term “jump the shark,” which connotes the moment when the quality of a particular program begins to decline. In it, Fonzie dons water skis — still wearing his signature leather jacket, of course — and proves his courage by jumping over a caged shark.

When series creator Garry Marshall announced, less than five months later, that his eight-year-old son had suggested they put a spaceman on the show, everyone involved thought it was a horrible idea. Actors agreed: Dom DeLuise and Roger Rees backed out of playing Mork. Two days before the shoot, a staffer tracked down a comic she’d seen doing an alien bit and brought him in.

As writer Brian Levant told E!,  “It is 3:30, we have a run-through of this episode, which is considered to be the biggest piece of s–t in the history of the show, and it was brilliant. The run-through lasted an hour and fifteen minutes of a 22-minute show. And it was Robin Williams’ literal birth as an entertainer.”

Marshall’s spinoff, Mork & Mindypremiered on September 14, 1978, and ran for four seasons, averaging 55 million to 60 million viewers per week. Viewers were taken in by Williams’ frenetic, madcap style and impish charm. He was a walking verb orbited by exclamation points.

After he committed suicide on August 11, 2014, it was revealed that he’d been suffering from Lewy body dementia, a progressive brain disease that can cause visual hallucinations, memory loss, decreased mental focus, rigid body movements, sleep disorders, anxiety, and depression. Today would have been his 74th birthday.

Perhaps the best way to celebrate today is to acknowledge our sadness and then remind ourselves of the gifts he gave us by watching Mork and Mindy, his comedy specials, or a marathon of our favorites from his movie career. He once said, “The truth is, if anything, I’m probably addicted to laughter.” We certainly got hooked on him.

There are hundreds of quotes by Robin Williams online. Many are scripted lines, which generally shouldn’t count, although Robin often embellished his dialogue. So we’ll say up front that he spoke the following words as Mork from Ork. We don’t know if he ad-libbed any of it, as he was famous for doing, but it sums up what we hope he knew:

“I don’t know how much value I have in this universe, but I do know that I’ve made a few people happier than they would have been without me, and as long as I know that, I’m as rich as I ever need to be.”

We miss you, Robin.

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